托福阅读修辞目的题是阅读考试中比较常见的一种题型，tpo则是托福阅读备考最权威的材料，所以托福小编综合二者，为大家集中整理了tpo阅读中考察的修辞目的题及其对应的解析，供大家参考使用。本文带来的是TPO12-2的修辞目的题，一起来看看吧。
TPO12-2 Transition to Sound in Film
Paragraph 2：Yet this most fundamental standard of historical periodization conceals a host of paradoxes. Nearly every movie theater, however modest, had a piano or organ to provide musical accompaniment to silent pictures. In many instances, spectators in the era before recorded sound experienced elaborate aural presentations alongside movies' visual images, from the Japanese benshi (narrators) crafting multivoiced dialogue narratives to original musical compositions performed by symphony-size orchestras in Europe and the United States. In Berlin, for the premiere performance outside the Soviet Union of The Battleship Potemkin, film director Sergei Eisenstein worked with Austrian composer Edmund Meisel (1874-1930) on a musical score matching sound to image; the Berlin screenings with live music helped to bring the film its wide international fame.
4. Why does the author mention Japanese benshi and original musical compositions?
○ To suggest that audiences preferred other forms of entertainment to film before the transition to sound inthe1920's
○ To provide examples of some of the first sounds that were recorded for film.
○ To indicate some ways in which sound accompanied film before the innovation of sound films in the late 1920s
○ To show how the use of sound in films changed during different historical periods
解析：修辞目的题，先看所在的句子，说那时候的spectator会听到很多aural presentation，紧接着就说from这个to那个，也就是说这两个东西都是aural presentation，所以答案是C。A的other forms of entertainment，B的recorded和D的change都没说
[2]然而这一历史分期的基本标准下依然矛盾重重。几乎每家剧院都配备钢琴或管风琴为无声电影配乐，尽管不起眼。在一些实例中，录音时代之前的观众都有亲身体验，电影放映时旁边是精妙绝伦的音效呈现，从绝妙的日本benshi(口技)多音效对话演绎到欧美管弦交响乐队演奏的原创曲目。为了首次在柏林露天公演前苏联战舰波将金号，该片导演Sergei Eisenstein与奥地利作曲家Edmund Meisel(1874-1930)合作为电影配乐;柏林的电影荧幕配上现场音乐使得这一影片在国际上赢得广泛赞誉。
以上就是托福阅读TPO12-2中的修辞目的题及其解析，大家可以在备考的时候参考复习，希望能够帮助大家的考前准备。最后前程百利祝大家都能取得理想的托福考试成绩。
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